Where are those entries?

Ok, so three things are preventing me from posting as regularly as I’d like recently:

I’m taking an Italian class on Tuesday nights.  A class that has homework.

I’m about to have a decade birthday, and am freaking out about it.

The upcoming election has me in a total funk, and I’m spending so much energy worrying about the future of this country that there’s little energy left over for blogging.

And this is where I beg:  please, please, please, for my decade birthday present, please, please, please, may I have the good news that Barack Obama has been elected President?  Please? 

Felt stories

Last night I stayed up until ten o’clock working on two more feltboard stories:  versions of Mouse’s First Halloween by Lauren Thompson and Humbug Witch by Lorna Balian.  I’ll use the mouse story with this morning’s toddler storytime (replacing the hugely unsuccessful Leaf Man by Lois Ehlert that I used in the two Monday toddler storytimes), and I’ll use both stories with this afternoon’s preschool storytime. 

Halloween is just about my favorite holiday, and I’m really looking forward to these two storytimes.  It’s a great feeling when I find a story that translates well to a feltboard retelling, and an even better feeling when I actually have the time to create the felt pieces.

In other feltboard news, last Friday I hosted a preschool class for a storytime, and used my in-process pieces (in-process because this is such an involved story to translate to the medium of felt) for Where’s Spot? by Eric Hill.  The kids loved the story, and one even cried out mid-story:  “This is cool!  It’s just like a puppet show!!”

Someday, I promise, I’ll post a few photos of my felt stories.  I’m having so much fun making and using them that I’d really love to share them with the three people who read my blog…or is it four?  🙂

Process art

Thursday was the first time that I attempted a process art project in my preschool storytime.  And it was one of the more wonderful experiences of my library career.

Quite a while ago, I had firmly decided that I wanted to pursue process art projects with this age group, but I was heavy on the concept, short on the specifics.  So I was thrilled when I found MaryAnn Kohl’s book Preschool Art: It’s the Process, Not the Product.  Not only did the title match my thinking, but the book is a well-thought-out and easy to use resource that also provides a wonderful photocopy-ready explanatory page to hand out to parents.

In planning this fall’s preschool storytimes, I decided to establish a three-week rotation:  storytelling with puppets week one, feltboard story week two, and process art week three.  That way we’re not overly heavy on the arts/craft angle, and we get to explore alternate ways to approach stories in two of the three weeks.

For the first process art project, I chose Kohl’s “Dark Sugar Chalk.”  After reading two stories aloud, I explained to the nine kids in attendance that we needed to do some prep work for our art, then we’d sit back down for a last story before doing our artwork.  This terrific bunch of kids took turns helping me measure out the water, add scoops of sugar, and stir the mixture, then everyone helped plunk pieces of chalk into the sugar water.  Totally riveted, we noticed that little bubbles come out of the chalk, and that it immediately starts to turn a darker, brighter color.

While the chalk soaked, we read one last story, then packed up our carpet squares, moved the tables to the center of the room, and fished the chalk out of the water into dry tubs.  And here came the best part: the kids colored with this bright, less smudgey chalk on black poster board, playing with the colors and the quality of the chalk, experimenting with using cotton balls to moosh the colors around, putting one layer of chalk on top of another…generally having a great time messing around with this new medium and discovering its qualities.

One of the children went back to the tub that contained the sugar water, and dipped some cotton balls in that mixture, then went back to his art and experimented with using those sugary cotton balls to smush and blend the colors.  Another child dipped her finger into the sugar water, and noticed that the sugar hadn’t completely dissolved, so that she could trace almost invisible pictures in that layer of sugar.  Yet another child discovered that he could draw pictures with the chalk on the inside surface of the dry plastic tubs.  Needless to say, all of these discoveries were shared with the group, and each of the children tried a variety of techniques and approaches that I would never have anticipated.

It was incredibly fun, and so rewarding to see how the kids responded.  I had a fantastic time, and can’t wait ’till our next project!

Note on materials used:  I bought sheets of black poster board, and cut each sheet into four pieces (bigger pieces wouldn’t have fit well on the tables we use, though bigger pieces would be a lot of fun).  The chalk was remarkably hard to find: I went to five different stores before finding regular Crayola colored chalk at Crosby’s Supermarket in Concord.  The plastic tubs are storage tubs from IKEA – they’re perfect for this kind of project.  Not too big, not too deep, not too expensive, easy to carry because they have a broad lip all around the edge.

Michael LaFosse, part II

Yesterday’s origami program with Michael LaFosse was fantastic.  Truly fantastic.  Michael is an excellent teacher and a really nice person.  With his status and credentials, he could have been forgiven for being overly full of himself, but Michael’s not like that.  When he and I went up to the hall where the program was going to be held, and I had set the room up completely incorrectly (I hadn’t put out any tables, and had arranged the seats as I would for a movie night – duh, what was I thinking??), he didn’t blink an eye, but immediately mucked in with me and worked harder than I did to totally rearrange the room.  Michael hauled tables and chairs around to set up 50 chairs around tables, and never once did he complain.

So that impressed me right off the bat, but his teaching style was even more impressive.  We had 63 adults and children in the room for the first session that he taught, the session for ages 6 to 12.  It could have been chaos, but somehow Michael is able to explain folding techniques and walk around the room offering help where needed while maintaining a calm and controlled atmosphere.  Every child in that room left with a completed 8-piece puzzle box, a sailboat, and an owl.  Some of the children in the room were able to fold multiples of these pieces.  No one was bored, and everyone felt satisfied with their finished projects. 

For the final touch on this program, Michael brought out some of his origami works of art to show the group:  a squirrel, folded from a large single sheet of paper, no cuts; a cardinal; a gargoyle, folded by one of his students, once again from a single sheet of paper.  Showing these pieces at the conclusion of the first session is pure genius, since by that point everyone in the room had developed enough origami confidence that no one was intimidated by these masterworks.  Instead, I could see that a lot of kids were inspired by them, and I’m guessing that these kids will go on to try more difficult origami projects.

By contrast, for the adult and teen session, Michael began by showing his masterworks.  Once again, genius: any adults who might have been skeptical were immediately convinced that they were in the presence of an origami master.  From that point on, there was a wonderfully congenial feeling in the room, as we all helped each other with our projects.  We made a three-piece puzzle box, two foxes, and a butterfly.  And then the sweet lady sitting next to me asked Michael for advice on folding a paper airplane for her grandson.  He first suggested that she could look up directions online, if she had internet access, but as soon as she said that she didn’t even know how to turn on the computer, Michael rose to the challenge and said that he’d be happy to extend the program over-time if anyone wanted to learn how to fold his own design for a paper airplane.  Almost all of us stayed for an extra 25 minutes, and added one more project to our collection: a really great-flying airplane. 

Sadly for those of us in Massachusetts, Michael is literally on the verge of moving to Hawaii, so it’s doubtful that we’ll ever be able to have him visit the library again.  Selfishly, I kind of hope that Hawaii doesn’t measure up to Massachusetts, and that Michael moves back this way.  I can guarantee that we’d have a full capacity crowd waiting for him!

Michael LaFosse at the library

Last call for today’s terrific program at the library:  Michael LaFosse of the Origamido Studio will be running two programs on origami at the library.  The first, at 4 PM, is for ages 6 to 12, and the second program, at 5 PM, is for ages 13 to adult.

For those of you who don’t know Michael LaFosse’s work, here is how he is described on the Origamido website:  “Author and artist Michael LaFosse is one of the most seasoned and respected presenters of the paper arts.  He and Richard Alexander have authored 32 books on origami, and produced over a dozen DVDs.  They have also built major origami exhibits for the Peabody Essex Museum, Salem, MA; the Louvre, Paris; the Arizona Sonora Desert Museum, Tucson; and the Morikami Japanese Museum, Delray Beach, FL.”

I am thrilled that we were able to have Michael come to the library before his move to Hawaii, and I can’t wait to pick up tips on both how to teach origami, and how to fold some new origami projects.

There’s still room in each section, so do join us if you wish!

Books of the month

Here is what I will be reading (or have already read) this month:

Uglies by Scott Westerfeld, for last week’s teen book group.  (Loved it!  Tried to buy the sequels yesterday at the book store, but they were sold out.  This is the first time in MY life that I’ve actually wanted to buy a science fiction book.)

Here Lies Arthur by Philip Reeve.  Just purchased yesterday, and started it last night.  I love that Reeve dedicated the book to Geraldine McCaughrean, one of my favorite authors.  (Reeve is another of my favorite authors.)  I’m toying with the idea of suggesting it for the teen book group, though historically they haven’t loved my suggestions…

More Fast Food My Way by Jacques Pepin.  Jacques is one of my heroes, and I wanted to be sure to add this to our collection of his books.

A Dog’s Life: The Autobiography of a Stray by Ann Martin, for next week’s fifth grade book group.  We had a great discussion of this book two years ago, so I was eager to bring the book back for another group of fifth graders.  Some worry that the book is too sad, especially for animal lovers, but I would argue that the happy, settled ending balances out any sadness – not to mention that life IS sad, and stray animals have it very, very tough.  How much should we protect our children from the sadness of the world?  Are we doing them any favors by hiding these things from them?  Or is it better to admit that, yes, there are sad parts, tough parts, in life, and then talk with children about what kind of positive difference each of us can make in the world?

The Mysterious Benedict Society and the Perilous Journey by Trenton Lee Stewart, for this month’s sixth grade book group.  Loved the first book, and am looking forward to reading and discussing this second book.

The Everything Learning Italian Book by Michael P. San Filippo, and a newly purchased Italian/English dictionary.  Because, of course, I’m taking an Italian class!

And a stack of books that I purchased over the summer, with every intention of reading this summer.  Haven’t gotten to them yet, but…wait ’till the woodstove is cranking and the cats are purring. 

Really? Are you sure???

I just had the oddest comment from a kindergarten teacher who had come to observe the preschool class that attended my infant storytime this morning.  This teacher and I had talked ahead of time about how it might be a bit interesting, having a group of preschoolers joining in with a storytime that’s intended for babies; we were wondering how well it would work out. 

And after it was all over, the teacher came up to me and said, “You know, that worked out incredibly well!  They were very attentive!  And, of course, it really helps that you have a lovely singing voice!”

Wait a second.  Did she just say that I have a “lovely singing voice”???

She did.

I’m in shock.

Frustrations

I’m feeling frustrated this morning.

Frustrated because we still have dial-up internet access, and AOL is beyond slow this morning.  I’ve logged on numerous times, and the connection is still slower than molasses.  More like the honey in the jar in our kitchen, which is almost solidified and sticks to a spoon like glue.

Frustrated because I didn’t set this blog up to be a political blog.

What a frustration that is.  Because, if I had set up this blog to be political, then I could talk about how frightened am about our country’s future.  If this blog were political, then I could talk about last night’s vice presidential debate, and about how terrified I am by the prospect of Sarah Palin being second in command.  If my focus here were political, I could talk about how scary it is that intelligence is viewed as a flaw in our country these days, whereas dropping your g’s and using colloquialisms like “doggone it” while spewing anti-facts are greeted with fondness.  If I were to discuss politics on this blog, I would talk about how fervently I hope that our country will choose the man for president who is intelligent, has a plan to bring our country back from the brink of financial ruin, and who can inspire us all to work together and rise from the ashes left behind by the current administration.

What a shame it is that my blog isn’t political.